INSTRUÇÃO: Leia o texto a seguir para responder à questão.
Países que garantem direitos das mulheres tendem a crescer mais
Segundo estudo, assegurar direitos femininos também traz benefícios para a saúde da população como um todo
Nações que asseguram os direitos das mulheres tendem a crescer mais rápido e a ter uma população com mais saúde, aponta um novo estudo publicado na revista BMJ
Open. E isso vale certamente para países mais pobres.
De acordo com a pesquisa, apesar de muitas nações estarem progredindo economicamente, os direitos das mulheres têm sido negligenciados em muitos lugares. E os cientistas queriam descobrir se haveria uma ligação entre a proteção dos direitos das mulheres e melhorias na saúde e no desenvolvimento sustentável.
Eles analisaram bancos de dados com informações sobre saúde, direitos humanos e direitos econômicos e sociais de 162 países no período de 2004 a 2010. As nações foram agrupadas de acordo com o número de direitos econômicos e sociais assegurados às mulheres. Entre os países selecionados, 44 foram classificados como alta adesão; 55 em nível moderado; e 63, baixo.
No geral, os países com direitos de mulheres assegurados têm melhor saúde do que aqueles onde esses direitos foram moderadamente ou pouco respeitados. Os indicadores de saúde incluem prevenção de doenças, como vacinação, saúde reprodutiva, taxas de mortalidade e expectativa de vida.
Em lugares onde os direitos humanos, incluindo os direitos das mulheres, são respeitados, mas o acesso a leitos hospitalares e médicos está abaixo da média, os resultados de saúde ainda eram consistentemente melhores do que a média. “Os resultados confirmam que, mesmo com a falta de recursos, se um país tem uma forte estrutura de direitos humanos, os resultados de saúde são melhores”, escreveram os pesquisadores.
Nos países onde apenas os direitos civis e políticos eram mais valorizados, os níveis de saúde são variados. Segundo os autores da pesquisa, mais estudos são necessários para entender melhor essa relação. “Hoje, o valor dos direitos humanos tem sido frequentemente questionado do ponto de vista econômico; no entanto, nossos dados mostram que, em vez de limitar o progresso, os direitos humanos e os direitos econômicos e sociais das mulheres, em particular, só podem trazer benefícios”, afirmam os pesquisadores, em nota à imprensa.
Disponível em: <https://revistagalileu.globo.com/Sociedade/noticia/2019/07/paises-que-garantem-direitos-das-mulherestendem-crescer-mais.html>. Acesso em: 29 jul. 2019 (Adaptação).
Esse texto tem o objetivo de
Observe a seguir o boleto bancário que Marcelo recebeu.

Se Marcelo pagou esse boleto após o vencimento, o valor pago por ele foi de
O quadro a seguir apresenta a promoção realizada por uma loja de produtos automobilísticos.

Ricardo foi até essa loja e comprou quatro pneus e dois retrovisores. Como ele efetuou o pagamento à vista, recebeu um desconto de R$ 27,50 no ato da compra.
Nessas condições, o preço total pago por Ricardo foi de
INSTRUÇÃO: Leia a tirinha a seguir para responder à questão.

A tirinha em questão é a última da série Calvin e Haroldo, de autoria de Bill Watterson, publicada dia 31 de dezembro de 1995.
A respeito de seus possíveis significados, analise as afirmativas a seguir.
Está correto o que se afirma em
Pra você ficar por dentro do que rola, convidamos a jornalista e apresentadora Renata Simões, para te guiar nesse vocabulário das ruas.
Se liga só:
Bapho: Um acontecimento para lá de inesperado, marcante. Algo que pode (ou não) causar uma revolução na vida. Às vezes é dito em tom de fofoca “preciso te contar um bapho” ou como comentário “que bapho!” Quando o bapho é muito bapho mesmo, a gente escreve com PH.
Salve: Um aceno, um alô. A gente manda salve pros amigos e quando quer avisar algo.
Tranqueira: Aquele ou aquilo que ninguém quer. Não é bom pra nada.
Causar: Tem gente que causa uma situação, um problema, um furor, uma excitação. Usado em sua maioria de maneira positiva, causar é o ato de chegar chegando ou perturbar alguma situação. O fulano pode causar no bar ao beber demais ou os amigos podem causar no show ao fazer um mosh.”
Disponível em: <https://tinyurl.com/y39xbjkr>. Acesso em: 5 ago. 2019.
A respeito do uso das gírias, assinale a alternativa incorreta.
Leia a tirinha a seguir

Quanto ao que afirma a tirinha, assinale com V as afirmativas verdadeiras e com F as falsas.
( ) O paradoxo reside no fato de que locuções adverbiais femininas, como “às vezes”, recebem crase em todas as incidências, o que consiste num contraste entre as ideias expressas em “às vezes” e “sempre”.
( ) O personagem Camilo identifica um paradoxo devido ao fato de que a instrução dada pela garota está errada: há casos específicos em que a locução adverbial “às vezes” não recebe crase.
( ) Se “às vezes” for grafado sem crase, a depender da frase, pode haver mudança de sentido. É a isso que o personagem Camilo se refere quando afirma haver um “paradoxo” na fala da colega.
Assinale a sequência correta.
Sobre os direitos e vantagens dos servidores públicos do município de Uberlândia previstos na Lei Complementar Municipal nº 40/1992, assinale a alternativa incorreta.
De acordo com as reflexões de Vasconcellos (2006) sobre o projeto político-pedagógico – PPP, assinale com V as afirmativas verdadeiras e com F as falsas.
( ) O PPP é considerado o plano global da escola, sendo um instrumento teórico-metodológico para intervenção e transformação da realidade.
( ) Não há distinção clara entre o PPP e o regimento escolar, uma vez que a elaboração de ambos é de competência da escola e que abordam o detalhamento administrativo e jurídico da instituição.
( ) Sendo uma das partes do marco referencial, o marco situacional expressa o ideal específico da instituição, englobando as dimensões
pedagógica, comunitária e administrativa do trabalho escolar.
( ) Cabe na realização do diagnóstico as seguintes tarefas: conhecer a realidade, julgar a realidade e localizar as necessidades.
Assinale a sequência correta.
Para Ortega e Del Rey (2002), o combate e a prevenção à violência na escola demandam estratégias educativas que promovam melhoria da convivência na comunidade escolar.
Sobre essas estratégias educativas propostas pelas autoras, assinale a alternativa incorreta.
INSTRUCTIONS: Read the text carefully and then mark the alternatives that answer the question or complete the sentences presented after it.
TEXT I
Using authentic reading materials in FLT
Let us discuss what reading in a foreign language is, how it differs from reading in one’s mother-tongue. If the foreign language learners are poor readers in their mother-tongue, we can’t expect them to read efficiently in the foreign language. But if they are good readers in
their mother-tongue, we expect them to transfer their reading strategies to the foreign language automatically. Unfortunately, this doesn’t always happen. Automatic transfer of reading strategies from L1 to L2 is difficult or never occurs. Good readers use top-down and bottom-up strategies to make predictions about the meaning of the text and check them. They vary their reading speed and strategies according to the purpose for their reading and the type of the text. When the same students read a text in the foreign language, they tend to use bottom-up strategies, i.e. their linguistic knowledge, but they rarely dare to use top-down strategies, i.e. their knowledge about the world. Appropriate reading strategies are rarely used and even some faulty reading habits, e.g. subvocalizing, regressive eye movements, etc., can be observed. So, foreign language students usually need more reading practice in order to become efficient readers in the foreign language. The use of authentic materials is an important principle of Communicative Language Teaching. In real life we read because we are interested in the communicative purpose of the text, in the ideas that the writer has expressed or the effect that the text is supposed to produce on the reader. The language in an authentic text is varied, whereas in a non-authentic one there is often one single structure that is repeated. The use of truly authentic texts is an important means of teaching students to communicate effectively.
Unfortunately, most textbooks make use of non-authentic texts. They are supposed to be easier than authentic ones and to be better suited to the students’ language proficiency level. However, this is not true because:
We can overcome these shortcomings quite successfully if we provide supplementary authentic texts. Thus the language learners will become better readers, confident in their ability to cope with reading in real life situations.
So, why do we read? In our daily lives we read for two basic reasons: for pleasure and for information (Grellet, 1981:4). We read for information because we want to find out something, to learn something from the text, or for instruction, in order to do something with the information we get, to find out how to act. These reasons for reading are authentic. […]
Having mentioned the major drawbacks of textbook reading materials, let’s now consider the guidelines for selecting a text to supplement them or even replace them. These are the readability, the suitability of content and the exploitability of the authentic text (Nuttal, 1982:25).
However, we shouldn’t forget the fact that language classes are not entirely homogeneous: the level of the students is not the same, their tastes may vary and it is virtually impossible to create an ideal reader who could tackle all existing texts successfully. So, our goals and
criteria should be realistic.
[…]
What should be pointed out in conclusion is the vital importance of using authentic texts as supplements to textbook reading materials in order to prepare students for real life reading. Authentic texts foster the development of their reading skills thus helping them gain confidence in their reading ability in the foreign language. They become autonomous readers, who can take responsibility for their own reading.
Available at: <https://www.beta-iatefl.org/1106/blogpublications>.Accessed on: July 9th, 2019. (Adapted).
Some textbooks still make use of non-authentic texts because
INSTRUCTIONS: Read the text carefully and then mark the alternatives that answer the question or complete the sentences presented after it.
TEXT III
The cab had arrived ten minutes late, then had got stuck in a monumental traffic jam on Charing Cross Road. ‘Sorry, love, nothing doing,’ the driver had said. Joanna had looked at her watch, chucked a ten-pound note at him and jumped out of the cab. As she’d hared through
the streets towards Covent Garden, her chest laboring and her nose streaming, she’d wondered whether life could get any worse.
Joanna was snapped out of her reverie as the congregation suddenly ceased their chatter. She opened her eyes and turned round as Sir James Harrison’s family members began to file into the church.
Leading the party was Charles Harrison, Sir James’s only child, now well into his sixties. He lived in Los Angeles, and was an acclaimed director of big-budget action films filled with special effects. She vaguely remembered that he had won an Oscar some time ago, but his films weren’t the kind she usually went to see.
By Charles Harrison’s side was Zoe Harrison, his daughter. As Alec had hoped, Zoe looked stunning in a fitted black suit with a short skirt that showed her long legs, and her hair was pulled back in a sleek chignon that set off her classic English-rose beauty to perfection.
She was an actress, whose film career was on the rise, and Matthew had been mad about her. He always said Zoe reminded him of Grace Kelly his dream woman, apparently – leading Joanna to wonder why Matthew was going out with a dark-eyed, gangly brunette such as herself. She swallowed a lump in her throat, betting that Winnie the Pooh hot-water bottle that his ‘Samantha” was a petite blonde.
Holding Zoe Harrison’s hand was a young boy of around nine or ten, looking uncomfortable in a black suit and tie: Zoe’s son Jamie Harrison, named after his great-grandfather. Zoe had given birth to Jamie when she was only nineteen and still refused to name the father. Sir James had loyally defended his granddaughter and her decision to both have the baby and to remain silent about Jamie’s paternity.
Joanna thought how alike Jamie and his mother were: the same fine features, a milk and rose complexion, and huge blue eyes. Zoe Harrison kept him away from the cameras as much as possible – if Steve had got a shot of mother and son together, it would probably make the front page tomorrow morning.
Behind them came Marcus Harrison, Zoe’s brother. Joanna watched him as he drew level with her pew. Even with her thoughts still on Matthew, she had to admit Marcus Harrison was a serious ‘hottie’, as her fellow reporter Alice would say. Joanna recognised him from
the gossip columns – most recently squiring a blonde British socialite with a triple-barreled surname. As dark as his sister was fair, but sharing the same blue eyes, Marcus carried himself with louche confidence. His hair almost touched his shoulders and, wearing a crumpled black jacket and a white shirt unbuttoned at the neck, he oozed charisma. Joanna dragged her gaze away from him. Next time, she thought firmly, I’m going for a middle-aged man who likes bird watching and stamp collecting. She struggled to recall what Marcus Harrison did for a living – a fledgling film producer, she thought.
Well, he certainly looked the part.
‘Good morning, ladies and gentlemen’. The vicar spoke from the pulpit, a large picture of Sir James Harrison in front of him, surrounded with wreaths of white roses.
‘Sir James’s family welcomes you all here and thanks you for coming to pay tribute to a friend, a colleague, a father, grandfather and great-grandfather, and perhaps the finest actor of this century. For those of us who had the good fortune to know him well, it will not come as a
surprise that Sir James was adamant that this was not to be a sombre occasion, but a celebration. Both his family and I have honoured his wishes. Therefore, we start with Sir James’s favourite hymn “I Vow to Thee My Country”. Please stand’.
RILEY, Lucinda. The Love Letter. London: Pan Books, 2018,p. 13-15.
The girl first named in the text is
INSTRUCTIONS: Read the text carefully and then mark the alternatives that answer the question or complete the sentences presented after it.
TEXT III
The cab had arrived ten minutes late, then had got stuck in a monumental traffic jam on Charing Cross Road. ‘Sorry, love, nothing doing,’ the driver had said. Joanna had looked at her watch, chucked a ten-pound note at him and jumped out of the cab. As she’d hared through
the streets towards Covent Garden, her chest laboring and her nose streaming, she’d wondered whether life could get any worse.
Joanna was snapped out of her reverie as the congregation suddenly ceased their chatter. She opened her eyes and turned round as Sir James Harrison’s family members began to file into the church.
Leading the party was Charles Harrison, Sir James’s only child, now well into his sixties. He lived in Los Angeles, and was an acclaimed director of big-budget action films filled with special effects. She vaguely remembered that he had won an Oscar some time ago, but his films weren’t the kind she usually went to see.
By Charles Harrison’s side was Zoe Harrison, his daughter. As Alec had hoped, Zoe looked stunning in a fitted black suit with a short skirt that showed her long legs, and her hair was pulled back in a sleek chignon that set off her classic English-rose beauty to perfection.
She was an actress, whose film career was on the rise, and Matthew had been mad about her. He always said Zoe reminded him of Grace Kelly his dream woman, apparently – leading Joanna to wonder why Matthew was going out with a dark-eyed, gangly brunette such as herself. She swallowed a lump in her throat, betting that Winnie the Pooh hot-water bottle that his ‘Samantha” was a petite blonde.
Holding Zoe Harrison’s hand was a young boy of around nine or ten, looking uncomfortable in a black suit and tie: Zoe’s son Jamie Harrison, named after his great-grandfather. Zoe had given birth to Jamie when she was only nineteen and still refused to name the father. Sir James had loyally defended his granddaughter and her decision to both have the baby and to remain silent about Jamie’s paternity.
Joanna thought how alike Jamie and his mother were: the same fine features, a milk and rose complexion, and huge blue eyes. Zoe Harrison kept him away from the cameras as much as possible – if Steve had got a shot of mother and son together, it would probably make the front page tomorrow morning.
Behind them came Marcus Harrison, Zoe’s brother. Joanna watched him as he drew level with her pew. Even with her thoughts still on Matthew, she had to admit Marcus Harrison was a serious ‘hottie’, as her fellow reporter Alice would say. Joanna recognised him from
the gossip columns – most recently squiring a blonde British socialite with a triple-barreled surname. As dark as his sister was fair, but sharing the same blue eyes, Marcus carried himself with louche confidence. His hair almost touched his shoulders and, wearing a crumpled black jacket and a white shirt unbuttoned at the neck, he oozed charisma. Joanna dragged her gaze away from him. Next time, she thought firmly, I’m going for a middle-aged man who likes bird watching and stamp collecting. She struggled to recall what Marcus Harrison did for a living – a fledgling film producer, she thought.
Well, he certainly looked the part.
‘Good morning, ladies and gentlemen’. The vicar spoke from the pulpit, a large picture of Sir James Harrison in front of him, surrounded with wreaths of white roses.
‘Sir James’s family welcomes you all here and thanks you for coming to pay tribute to a friend, a colleague, a father, grandfather and great-grandfather, and perhaps the finest actor of this century. For those of us who had the good fortune to know him well, it will not come as a
surprise that Sir James was adamant that this was not to be a sombre occasion, but a celebration. Both his family and I have honoured his wishes. Therefore, we start with Sir James’s favourite hymn “I Vow to Thee My Country”. Please stand’.
RILEY, Lucinda. The Love Letter. London: Pan Books, 2018,p. 13-15.
In the sentence “[…] leading Joanna to wonder why Matthew was going out with a dark-eyed, gangly brunette such as herself”, the pronoun herself refers to
INSTRUCTIONS: Read the text carefully and then mark the alternatives that answer the question or complete the sentences presented after it.
TEXT III
The cab had arrived ten minutes late, then had got stuck in a monumental traffic jam on Charing Cross Road. ‘Sorry, love, nothing doing,’ the driver had said. Joanna had looked at her watch, chucked a ten-pound note at him and jumped out of the cab. As she’d hared through
the streets towards Covent Garden, her chest laboring and her nose streaming, she’d wondered whether life could get any worse.
Joanna was snapped out of her reverie as the congregation suddenly ceased their chatter. She opened her eyes and turned round as Sir James Harrison’s family members began to file into the church.
Leading the party was Charles Harrison, Sir James’s only child, now well into his sixties. He lived in Los Angeles, and was an acclaimed director of big-budget action films filled with special effects. She vaguely remembered that he had won an Oscar some time ago, but his films weren’t the kind she usually went to see.
By Charles Harrison’s side was Zoe Harrison, his daughter. As Alec had hoped, Zoe looked stunning in a fitted black suit with a short skirt that showed her long legs, and her hair was pulled back in a sleek chignon that set off her classic English-rose beauty to perfection.
She was an actress, whose film career was on the rise, and Matthew had been mad about her. He always said Zoe reminded him of Grace Kelly his dream woman, apparently – leading Joanna to wonder why Matthew was going out with a dark-eyed, gangly brunette such as herself. She swallowed a lump in her throat, betting that Winnie the Pooh hot-water bottle that his ‘Samantha” was a petite blonde.
Holding Zoe Harrison’s hand was a young boy of around nine or ten, looking uncomfortable in a black suit and tie: Zoe’s son Jamie Harrison, named after his great-grandfather. Zoe had given birth to Jamie when she was only nineteen and still refused to name the father. Sir James had loyally defended his granddaughter and her decision to both have the baby and to remain silent about Jamie’s paternity.
Joanna thought how alike Jamie and his mother were: the same fine features, a milk and rose complexion, and huge blue eyes. Zoe Harrison kept him away from the cameras as much as possible – if Steve had got a shot of mother and son together, it would probably make the front page tomorrow morning.
Behind them came Marcus Harrison, Zoe’s brother. Joanna watched him as he drew level with her pew. Even with her thoughts still on Matthew, she had to admit Marcus Harrison was a serious ‘hottie’, as her fellow reporter Alice would say. Joanna recognised him from
the gossip columns – most recently squiring a blonde British socialite with a triple-barreled surname. As dark as his sister was fair, but sharing the same blue eyes, Marcus carried himself with louche confidence. His hair almost touched his shoulders and, wearing a crumpled black jacket and a white shirt unbuttoned at the neck, he oozed charisma. Joanna dragged her gaze away from him. Next time, she thought firmly, I’m going for a middle-aged man who likes bird watching and stamp collecting. She struggled to recall what Marcus Harrison did for a living – a fledgling film producer, she thought.
Well, he certainly looked the part.
‘Good morning, ladies and gentlemen’. The vicar spoke from the pulpit, a large picture of Sir James Harrison in front of him, surrounded with wreaths of white roses.
‘Sir James’s family welcomes you all here and thanks you for coming to pay tribute to a friend, a colleague, a father, grandfather and great-grandfather, and perhaps the finest actor of this century. For those of us who had the good fortune to know him well, it will not come as a
surprise that Sir James was adamant that this was not to be a sombre occasion, but a celebration. Both his family and I have honoured his wishes. Therefore, we start with Sir James’s favourite hymn “I Vow to Thee My Country”. Please stand’.
RILEY, Lucinda. The Love Letter. London: Pan Books, 2018,p. 13-15.
The correct reported alternative for the sentence “Next time, she thought firmly, I’m going for a middle-aged man who likes bird watching and stamp collecting” is:
No traçado de eletrocardiograma, qual o significado da onda T?
A lei de dispõe sobre as condições para promoção, proteção e recuperação da saúde, e ainda regula as ações, a organização e o funcionamento dos serviços de saúde em todo pais é conhecida como: