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Anyway

You can spend your whole life building
Something from nothin’
One storm can come and blow it all away
Build it anyway
You can chase a dream that seems so out of reach
And you know it might not ever come your way
Dream it anyway

[…]

This world’s gone crazy and it’s hard to believe
That tomorrow will be better than today
Believe it anyway
You can love someone with all your heart
For all the right reasons
In a moment they can choose to walk away
Love ’em anyway

McBRIDE, M. Disponível em: www.elyrics.net. Acesso em: 8 fev. 2013 (fragmento).

Com base na palavra “anyway”, que é título da canção, entende-se que o fragmento

A Guide to Harvard “A Cappella!”

    A cappella is such a big deal on all college campuses these days, I thought I’d write a post about what Harvard has to offer (spoiler alert: many incredibly talented groups)! There are so many groups that we have a cappella jams fairly often, and it’s always a good time to go hear the
other groups perform.
    Some of my favorite memories are hanging out with my a cappella group members both on campus and around the country (and soon the world during our summer tour!). The Harvard a cappella community is absurdly diverse and talented – I think every Harvard student should take advantage of all we have on campus and go see a show!

Disponível em: https://college.harvard.edu. Acesso em: 11 dez. 2017 (adaptado).

A expressão “a cappella” caracteriza o ato de cantar sem o acompanhamento de instrumentos musicais. A expressão “big deal”, usada com relação a esse tema, indica que

How On-line Gamers are Solving Science’s Biggest Problems

    On paper, gamers and scientists make a bizarre union. But in reality, their two worlds aren’t leagues apart: both involve solving problems within a given set of rules. Genetic analysis, for instance, is about finding sequences and patterns among seemingly random clusters of data. Frame the analysis as a pattern-spotting game that looks like Candy Crush, and, while aligning patterns and scoring points, players can also be hunting for mutations that cause cancer, Alzheimer’s disease or diabetes.
    “Our brains are geared up to recognise patterns”, says Erinma Ochu, a neuroscientist at the University of Manchester, explaining why scientists are turning to gamers for help, “and we do it better than computers. This is a new way of working for scientists, but as long as they learn how to trust game developers to do what they do best — make great games — then they can have thousands of people from all around the world working on their data”.

Disponível em: www.theguardian.com. Acesso em: 8 fev. 2014 (adaptado).

De acordo com a reportagem publicada no jornal The Guardian, os adeptos de jogos eletrônicos podem ajudar os cientistas por terem

Tendo em vista a abrangência do inglês no contexto global, a falha na comunicação evidenciada nesse diálogo é gerada pelo fato de que os interlocutores

   What is it about Serena that inspires such vitriol? Is it that she dominates in a sport that was once considered to be for the upper crust at country clubs? One would think that Althea Gibson and Arthur Ashe had put that idea to rest decades ago. Is it that she is considered too aggressive on the court? John McEnroe and Boris Becker seem to take the prize for that. Is it because she wins too much? To hate someone merely because
he or she is great only speaks to one’s own insecurity. To attempt to and fault with someone because you cannot figure out how or why they win so often only shows that you have already lost. Or is it that she is unapologetically black? A #CarefreeBlackGirl who speaks her mind, supports her people, and whose only real opponent is herself.

Disponível em: https://theundefeated.com.
Acesso em: 28 dez. 2018.

O texto, que discorre sobre Serena Williams, uma das mais bem-sucedidas atletas do tênis, tem o objetivo de

Os recursos usados nesse pôster de divulgação de uma campanha levam o leitor a refletir sobre a necessidade de

Considerando a relação entre o número de habitantes e de línguas faladas no mundo, os dados trazidos pelo infográfico revelam uma

Exterior: Between The Museums — Day

     CELINE
     Americans always think Europe is perfect. But such beauty and history can be really oppressive. It reduces the individual to nothing. It just reminds you all the time you are just a little speck in a long history, where in America you feel like you could be making history. That’s why I like Los Angeles because it is so…
     JESSE
     Ugly? CELINE
     No, I was going to say “neutral”. It’s like looking at a blank canvas. I think people go to places like Venice on their honeymoon to make sure they are not going to fight for the first two weeks of their marriage because they’ll be too busy looking around at all the beautiful things. That’s what people call a romantic place — somewhere where the prettiness will contain your primary violent instinct. A real good honeymoon spot would be like somewhere in New Jersey.

KRIZAN, K.; LINKLATER, R. Before Sunrise: screenplay.
New York: Vintage Books, 2005.

Considerando-se o olhar dos personagens, esse trecho do roteiro de um filme permite reconhecer que a avaliação sobre um lugar depende do(a)

Vogue Magazine’s Complicated Relationship with Diversity

   Edward Enninful, the new editor-in-chief of British Vogue, has a proven history of addressing diversity that many hope will be the start of an overhaul of the global Vogue brand.
   In March, he responded sublimely when US President Donald Trump nominated Supreme Court judge Neil Gorsuch, who allegedly does not care much about civil rights: Enninful styled ashoot for his then employer, the New York-based W magazine, in which a range of ethnically diverse models climb the stairs of an imaginary "Supreme Court". In February, after Trump initiated the much-debated immigration ban, Enninful put together a video showcasing thevarious fashion celebrities who have immigrated into the US. Even before his first official dayin Vogue’s Mayfair offices, Enninful had hired two English superstars of Jamaican descent in anattempt to diversify the team. Model Naomi Campbell and make-up artist Pat McGrath bothshare Enninful’s aim of championing fashion as a force for social change.
   One can only hope that Enninful’s appointment is not a mere blip, but a move in the rightdirection on a long road to diversity for the global brand.

Disponível em: www.independent.co.uk. Acesso em: 11 ago. 2017 (adaptado).

Considerando-se as características dos trabalhos realizados pelo novo editor-chefe da Vogue inglesa, espera-se que a revista contribua para a

Women in Theatre: Why Do So Few Make It to the Top?

   An all-female Julius Caesar (A Shakespeare play) has just hit the stage, but it's a rarity intheatre. In a special report, Charlotte Higgins asks leading figures why women are stillunderrepresented at every level of the business — and what needs to change.

HIGGINS, C. Disponível em: www.guardian.co.uk. Acesso em: 12 dez. 2012.

O vocábulo “rarity” tem um papel central na abordagem do assunto desse texto, que destaca a

Becoming

    Back in the ancestral homeland of Michelle Obama, black women were rarely granted the honorific Miss or Mrs., but were addressed by their first name, or simply as “gal” or “auntie” or worse. This so openly demeaned them that many black women, long after they had left the South, refused to answer if called by their first name. A mother and father in 1970s Texas named their newborn “Miss” so that white people would have no choice but to address their daughter by that title. Black women were meant for the field or the kitchen, or for use as they saw fit. They were, by definition, not ladies. The very idea of a black woman as first lady of the land, well, that would have been unthinkable.

Disponível em: www.nytimes.com. Acesso em: 28 dez. 2018 (adaptado).

A crítica do livro de memórias de Michelle Obama, ex-primeira-dama dos EUA, aborda a história das relações humanas na cidade natal da autora. Nesse contexto, o uso do vocábulo “unthinkable” ressalta que

A Mother in a Refugee Camp

No Madonna and Child could touch
Her tenderness for a son
She soon would have to forget...
The air was heavy with odors of diarrhea,
Of unwashed children with washed-out ribs
And dried-up bottoms waddling in labored steps
Behind blown-empty bellies. Other mothers there
Had long ceased to care, but not this one:
She held a ghost-smile between her teeth,
and in her eyes the memory
Of a mother’s pride... She had bathed him
And rubbed him down with bare palms.
She took from their bundle of possessions
A broken comb and combed
The rust-colored hair left on his skull
And then — humming in her eyes — began carefully
[to part it.
In their former life this was perhaps
A little daily act of no consequence
Before his breakfast and school; now she did it
Like putting flowers on a tiny grave.

ACHEBE, C. Collected Poems. New York: Anchor Books, 2004.

O escritor nigeriano Chinua Achebe traz uma reflexão sobre a situação dos refugiados em um cenário pós-guerra civil em seu país. Essa reflexão é construída no poema por meio da representação de uma mãe, explorando a(s)

   Finally, Aisha finished with her customer and asked what colour Ifemelu wanted for her hair attachments.
   “Colour four.”
   “Not good colour,” Aisha said promptly.
   “That’s what I use.”
   “It look dirty. You don’t want colour one?”
   “Colour one is too black, it looks fake,” Ifemelu said, loosening her headwrap. “Sometimes I use colour two, but colour four is closest to my natural colour.”
   [...]
   She touched Ifemelu’s hair. “Why you don’t have relaxer?”
   “I like my hair the way God made it.”
   “But how you comb it? Hard to comb,” Aisha said.
   Ifemelu had brought her own comb. She gently combed her hair, dense, soft and tightly coiled, until it framed her head like a halo. “It’s not hard to comb if you moisturize it properly,” she said, slipping into the coaxing tone of the proselytizer that she used whenever she was trying to convince other black women about the merits of wearing their hair natural. Aisha snorted; she clearly could not understand why anybody would choose to suffer through combing natural hair, instead of simply relaxing it. She sectioned out Ifemelu’s hair, plucked a little attachment from the pile on the table and began deftly to twist.

ADICHIE, C. Americanah: A novel. New York: Anchor Books, 2013.

A passagem do romance da escritora nigeriana traz um diálogo entre duas mulheres negras: a cabeleireira, Aisha, e a cliente, Ifemelu. O posicionamento da cliente é sustentado por argumentos que

No texto, o autor lança mão de palavras como “literary ”, “male” e “female” para apresentar uma matéria jornalística cujo tema está relacionado ao(à)

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